It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “How did it all happen?” she persisted. “Was it very beautiful, in the beginning?” She wished she had not added that last. The words had slipped from her before she knew.!

She slipped the letter unconsciously into the bosom of her dress, and sat looking out of the window. It promised to be a glorious day, and London was stifling and gritty. Surely no one but an unwholesome-minded prude could jib at a walk across a park. Mrs. Phillips would be delighted to hear that she had gone. For the matter of that, she would tell her—when next they met. “You mean she was killing herself?” he asked.

“England’s a different proposition,” he mused. “Society counts for so much with us. I doubt if we should accept even an Abraham Lincoln: unless in some supreme crisis. His wife rather handicaps him, too, doesn’t she?” Joan had promised to go down on the Friday; but finding, on the Thursday morning, that it would be difficult, decided to run down that afternoon instead. She thought at first of sending a wire. But in Mrs. Phillips’s state of health, telegrams were perhaps to be avoided. It could make no difference. The front door of the little house was standing half open. She called down the kitchen stairs to the landlady, but received no answer. The woman had probably run out on some short errand. She went up the stairs softly. The bedroom door, she knew, would be open. Mrs. Phillips had a feeling against being “shut off,” as she called it. She meant to tap lightly and walk straight in, as usual. But what she saw through the opening caused her to pause. Mrs. Phillips was sitting up in bed with her box of cosmetics in front of her. She was sensitive of anyone seeing her make-up; and Joan, knowing this, drew back a step. But for some reason, she couldn’t help watching. Mrs. Phillips dipped a brush into one of the compartments and then remained with it in her hand, as if hesitating. Suddenly she stuck out her tongue and passed the brush over it. At least, so it seemed to Joan. It was only a side view of Mrs. Phillips’s face that she was obtaining, and she may have been mistaken. It might have been the lips. The woman gave a little gasp and sat still for a moment. Then, putting away the brush, she closed the box and slipped it under the pillow. Mary peeped round the door. She had been lucky enough to find the doctor in. She disappeared again, and they talked about themselves. The girl was a Miss Ensor. She lived by herself in a room in Lawrence Street.